794 Royalty-Free Audio Tracks for "M Audio"

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): IV. Adagio, Allegro molto e vivace performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): III. Menuetto, Allegro molto e vivace performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): II. Andante cantabile con moto performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

This is an under water recording of some bubbles. I filled up a laundry bin with water, stuck a sennheisser md21 (dynamic omnimic) wrapped in a plastic bag in there (under the water level). I pumped bubbles from the bottom of the bin through a bicycle pump. Gear used: md21 -> m-audio dmp3 -> terratec ewx2496. Completely unprocessed, 2:43 of 24 bit 44khz wave. Submission for the earthfirewindwater contest.

Registro de geofonía realizado en las escaleras que conectan el primer y segundo nivel de una torre de apartamentos, de un conjunto residencial, ubicado en el norte de la ciudad de cali, colombia, el día martes 28 de abril a las 7:00 a. M. En él, se puede escuchar el sonido de una lluvia ligera que golpea los tejados plásticos, que cubren los patios de los apartamentos del primer nivel. Dispositivo y programa de grabación: celular huawei p20 lite + lexis audio editor. Geophony recording, captured between the first and second floor of an apartment building in a residential complex located in the north área of cali, colombia, on tuesday april 28th at 7:00 a. M. In this recording we hear the sound from light rain falling on plastic roof tiles, the kind of roof that's used to cover the first floor’s apartment patios. Device and software: huawey p20 lite + lexis audio editor.

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in Jun 2019 (piano sound version; see File:Menuet bwv anh 114 115 Anna Magdalena.wav for synthesiser sound version)

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in May 2019 (synthesiser sound version; see File:Menuet bwv anh 114 115 Anna Magdalena2.wav for piano sound version)

Impulse response generated from field recordings of a parking garage. Recorded using an audio technica bp4029 m/s shotgun microphone into a zoom h4n recorder. This recording is part of a pack of impulse responses comparing different recording and post-processing techniques. A full explanation of the experiment and recording process is presented in this video: https://youtu. Be/nm65zx3u7me. Sweep recordings were deconvolved using voxengo deconvolver.

Standing on the dock at halesite marina in ny at approximately 11:00 p. M. On 8/26/19. Sounds include: the movement of a floating dock, water splashing, fish jumping out of the water, boat masts, wind, crickets/insects, a car being started, passing cars, and an airplane. Recorded with a sound devices mix pre-3 and an audio-technica bp4025 microphone (with a rode blimp windshield).

This is a recording made just outside my window. A helicopter flew over just a minute later, twice! i used a cheap large diaphragm condensor mic, with a plastic bendable tube around it, pointing just outside of my window. This created a cool midrangy-resonant-combfilter kind of sound. Gear used: cheap ldc -> m-audio dmp3 -> terratec ewx2496. This is for the earthfirewindwater contest. It is a 2:08 minute long, stereo 24/44 wave file.

A few different sounds of doing up and down a zip zipper fastener. Some long and slow some short and quick, panning from left to right and visa versa. Recorded with a m-audio microtrack ii and sony mics. I have provided this sound as public domain (we need more public domain sounds)so just show the love and upload more public domain sounds :). Enjoy!. .

Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Second Suite in F for Military Band "III. Song of the Blacksmith" performed by the 553rd United States Air National Guard Band of the Northeast. Track 4 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Second Suite in F for Military Band "II. Song Without Words, I'll Love My Love" performed by the 553rd United States Air National Guard Band of the Northeast. Track 3 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

A collection of sounds i recorded and subsequently mixed together in a composition. Here they are in their raw, unprocessed form. They include:. --continuous clicking from turning a removable screwdriver head--whispered breathing and grunting (recorded at a very high volume for intensity and boomy room tone)--a metal trash can clanging--a warbling falsetto climbing in pitch--faint taps--a plastic pill bottle being shook and twisted.

Second Suite in F for Military Band I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the 553rd United States Air National Guard Band of the Northeast. Track 2 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

Movement III of "The Planets" by Gustav Holst, Mercury, the Winged Messenger. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. FrontiersFrançais : Troisième mouvement des Planètes, Mercure, le messager ailé, composé par Gustav Holst. Performance du US Air Force Heritage of America Band selon une transcription de Merlin Patterson, éditée par les Capt. Lang et MSgt Aldo Forte lors de la publication en 1998 de leur CD Frontiers. (Durée : 4 m 23 s)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

Me squeezing a crumpled bag of doritos, recorded with an sm57 going into an m-audio mobilepre usb audio interface. I recorded this because i needed a good rubber stretching sound, but couldn't find one that looped well. When i crumpled the bag up to throw it away, i realized it kind of sounds like what i wanted, and with some eqing and clever layering i could get a sound that's pretty close to what i wanted. I've uploaded the final result under my "processed sounds" pack, but here are the raw sounds for you to use, completely unprocessed. I've left some silence/noise at the beginning/end of these so that you can easily remove the noise if you so choose.

Stereo recording of rain at bogota city, around 5:00 p m on november 2015 at 67th street with 9th av. At the beginning the sound of thunder overload the audio signal because high level of decibels produced for high pressure levels. Recorded with zoom h4n recorder, with x, y mics at 120 degrees. Grabación en estéreo de lluvia en la ciudad de bogotá, alrededor de las cinco de la tarde, en noviembre de 2015 sobre la calle 67 con carrera 9. Al inicio suena un trueno cercano que satura un poco la señal de audio por los decibeles producidos por la presión sonora. Se realizó con una grabadora profesional portátil zoom h4n, con micrófonos en disposición x, y a 120 grados de apertura de la imagen estéreo.

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

Soldiers shooting m16 standard issue us military rifle weapons. Extracted from a video (http://img. Youtube. Com/vi/q5jjnfa3qae/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

Hi. This soundfile was recorded on 03. 06. 2017 in szczecin, nw poland (gumience district to be precise). The time of this recording is from around 3 a. M. (when the sun was allready rising) till around 7:30 a. M. What's funny about that, is that i turned my recorder on and layed it on the windowsill (display up) on altitude around 5 meters (first floor), (the recorder is facing ne direction) because the birds were allready going crazy!, and after some time i felt asleep, and the recorder was left on. There are many many kinds of birds around, cause there is a big cementery near by, with lots of trees, and some wild fruit orchard too. I had this one moment, when the birds were so active, that let's say they spinned it me around, and worked me up to a beautifull spiritual moment with their sounds, and then i felt asleep. Later through the recording you can hear me snoring, you can hear my alarm clock going on (and that haven't woken me up too;). The bass resonance of cars passing by makes this recording a bit heavy in some places, and the wind made it's mark too, but that shoudn't be a big of an issue here. As i listen to it now, so much things happened while i was asleep. . . [ 3:30 a. M. !: some people are singing and speaking, and you can clearly hear one of them saying: "kurwa, grubo", which means - "f**k, heavy". Later on, the neighbours weren't sloppy too;). Hearing such recordings doesn't give you the liminous feeling of the place where it was recorded. You only get audio here, not the vision, the light, the brightness, the movement, the actions, and the space, the physical elements, only the best can imagine (so if you don't have such an imagination, pm me and i can send you a photo of the place where all this took place). Anyway, i hope that the birds will keep rockin' their solos, and the bees will keep visiting all the flowers around forever! (who knows, i might become one of them sometime;). Thanks and have a good listening session. Szymon.

The samples of these different types of hickory drumsticks was recorded with reaper and m-audio firewire 410 sound card. All these sounds was picked-upped by akg d5 microphone. There are these samples of. Wav 16 bit 44. 100 khz sound quality:. 1. Pro mark l. A. Special dc hickory march drum sticks2. Pro mark l. A. Special hickory drum sticks 5 a;3. Lutner woodtip hickory drum sticks 7 b;4. Pro mark l. A. Special hickory drum sticks 5 b;5. Lutner hickory drum sticks rock nylon;6. Lutner hickory drum sticks 2 bn;7. Pro mark l. A. Special hickory drum sticks 5 bn;8. Pro mark l. A. Special hickory drum sticks 2 bn;9. Pro mark l. A. Special hickory drum sticks 2 b;10. Lutner hickory drum sticks 5 a.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Rain falling on my apartment. I´m the last floor and have ceiling windows. I move around the apartment getting different versions. Midway you can hear light music in the background. I also open the window near the end and you can hear a few thunders. Lluvia cayendo sobre mi apartamento. Soy el último piso y tengo ventanas en el techo. A lo largo del audio me muevo a través del apt buscando diferentes versiones. En la segunda mitad es posible escuchar música suave de fondo. También abro la ventana hacia al final y se escucha uno que otro trueno. We love the sound of rain from this apartment. It has a very specific sound. This community has given me so much i couldn´t wait to catch a good rainfall to share with all of you. Hope you enjoy!. Amamos el sonido de la lluvia en este apartamento. Es super específico. Esta comunidad me ha dado tanto que no podía esperar que hubiese una buena lluvia para compartir con tod@s ustedes! espero que disfruten!.

Recording when i start my lawn mowerand cut the grass behind the garage. I`m using two line audios cm3 in ortf configurationand a zoom f4. Only cutting the file in wavelab.